Teddy Bambam and his henchman Rocky outside The Beauchamp pub. © Jocelyn Bain Hogg.

Operation Mare Nostrum, the Italian Navy frigate FREMM Bergamini the first time it was tasked with a rescuing operation of a group of Syrian refugees on a fishing boat, 5th June 2014. © Massimo Sestini.

Master Award, From There to Here. Immigration in the time of Fortress Europe by Giulio Piscitelli. Sahara desert, Libya, Border with Egypt, May 18th, 2014. Refugees crossing the desert and found in the desert by a local militia after 3 days of trip without water. In the area there aren’t no NGO’s or humanitarian groups that could help the refugees that almost everyday arrive from the desert, often injured or precarious health conditions. The militia found 3 vehicles with 85 refugees coming from Sudan and directed to Libya, stuck in the desert because of problems with the tires. In the picture the refugees run on the sand to reach one of the van that has restarted the trip after the repair of the tires and engine. The Sahara Desert, unites the sub-Saharan Africa, with the Maghreb countries. It is crossed by immigrants, mostly from East Africa and in particular political refugees, mostly from the Horn of Africa. The crossing of the Sahara is done with trucks, entrusted to criminal organizations involved in human trafficking. During the journey the passengers suffer the violence, by different kinds of militias much present in those territories (Libya, Chad, Sudan), and sometimes by the same smugglers who organize the trips. Over the past decade, at least 1,594 people have lost their lives crossing the Sahara, according to estimates of the site Fortress Europe. © Giulio Piscitelli/Contrasto.

World.Report Award - Premio Italiano di Fotogiornalismo 2014, Master Award category: Life in War by Majid Saeedi.
Buzkashi Square, Mazar Sharif City, Nord dell’Afghanistan. © Majid Saeedi.
World.Report Award - Premio Italiano di Fotogiornalismo 2014
categoria Master Award: Life in War di Majid Saeedi

Le motivazioni della giuria
«La giuria riconosce all’autore la capacità di aver realizzato un affresco della società afgana nelle sue molteplici sfumature, raccontando la quotidianità di un paese che è riuscito a mantenere viva la propria cultura e un barlume di normalità nonostante un conflitto devastante. I 10 anni di guerra sono raccontati con una profondità di visione e una capacità di empatia che riescono a presentare la complessa realtà afgana nella sua contraddittorietà, che oscilla da una profonda disperazione a un’altrettanto profonda bellezza. Il lavoro supera quindi lo sviluppo classico del racconto reportagistico e diventa la storia per immagini di un’intera civiltà».