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From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 1 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 2 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 3 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 4 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 5 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 6 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy 7 / 7 From the exhibition Scrublands by Antoine Bruy. © Antoine Bruy

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Scrublands

From 2010 to 2013, I hitchhiked throughout Europe with the aim to meet men and women who made the radical choice to live away from cities, willing to abandon their lifestyle based on performance, efficiency and consumption.

Without any fixed route, driven by encounters and chance, this trip eventually became for me a similar kind of initiatory quest to those of these families. Eight of these experiments are shown here, and display various fates which I think should not only be seen at a political level, but more importantly as daily and immediate experiences.

The heterogeneity of places and situations shows us the beautiful paradox of the pursuit of a utopia through permanent empirical attempts and sometimes errors. Unstable structures, recovered materials, or multiple applications of agricultural theories allow us to see the variety of human trajectories. All of which aiming at developing strategies to gain greater energy, food, economic or social autonomy.

These are in some way spontaneous responses to the societies these men and women left behind. Therefore their land is exploited but never submitted, the time has lost his tight linearity to become a slow and deliberate pace. No more clock ticking but the ballet of days and nights, seasons and lunar cycles. [ Antoine Bruy ]

- - -
SCRUBLANDS
by Antoine Bruy
streets of the historic centre - Ghilarza OR (Italy)
10 September – 2 October 2016
admission fee: free

_ _ _

[ INTERNAL RESOURCES ]
◉ [ FPtag ] MENOTRENTUNO2016: the point of view of the editorial staff
◉ [ video ] Menotrentuno: terramadre / homeland
◉ [ events ] Menotrentuno: an Island of exhibitions
◉ [ exhibitions ] Matavenero by Kevin Faingnaert
◉ [ exhibitions ] Vel Marì by Mohamed Keita
◉ [ exhibitions ] Idomeni, (un)settled territory by Orestis Seferoglou
◉ [ exhibitions ] Dubininkai village by Kotryna Ula Kiliulyte
◉ [ exhibitions ] I called out for the mountains... by Miia Autio
◉ [ exhibitions ] Three-Step Dance by Roberta Masala
◉ [ exhibitions ] Across the river by Jasper Walter Bastian
◉ [ exhibitions ] Four Seasons by Serena Vittorini
◉ [ exhibitions ] The farm in the centre by Sofie Amalie Klougart
◉ [ exhibitions ] Arsuneli's Lands by Andrea Alfano
◉ [ exhibitions ] Okoem, space that can look around by Yevgeny Nakonechnyy
◉ [ contest ] #meno31contest

[ EXTERNAL RESOURCES ]
◎ Antoine Bruy
◎ Menotrentuno

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published on 2016-09-12 in NEWS / EXHIBITIONS

MENOTRENTUNO2016 AntoineBruy

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